Dance at Holleran Hall

When I wrote my last post I was still giddy with what happened at the wedding reception: I ‘called’ country dances without anything but a dancer’s experience and saw a listless party come to life. On the drive home, the family and I  kicked around an idea of hosting a dance party here at Christmas.  And we did!

We emptied the parlor, a room 16′ x 32′. When we built this addition, my husband and I sat looking over the freshly varnished floor and thought we should host a dance on it sometime. 13 years later we made it happen!


See the open French doors on the left? That opens to our dining room, which we also cleared for overflow. After our first couple of circle dances involving every guest, we created a long line with about eight couples in the parlor, and a smaller line in the dining room. Here is a view from the smaller ring (looks like this was a circle dance):


Another one:

And in the large hall:

The dance is “Haste to the Wedding”. If you know the show Irish RM, you will recognize the tune. It comes from the New England Dancing Masters album Chimes of Dunkirk.

Look at all those young people! There were about 32 dancers. We all enjoyed the evening very much. Some stayed after, and way past my bedtime, to play guitar and sing together. Such a rich time!

Because we live in such rural towns and since most were homeschooled, social gatherings have been scanty. Most of the guests had no previous experience, so I taught dance figures through the evening, easy to challenging. Dancers also heard tips that make great dancers, such as “aim to glide when dancing in a figure with others”. Bounce and stomp all you live when you move alone, but make a right-hand star or a swing work smoothly.

The advice that seemed to come as a surprise was my “rules of engagement”. That is, the gents ask a lady to dance, and she accepts with a smile, with the understanding that this is a commitment to a brief contract that is over when the dance ends with a bow and courtesy. In other words, fellows learn to take responsibility to guide a gal, and ladies nurture the fragile ego of young men who feel like dodos among swans. Whether dork or dynamite dancer, you get your partner for one round and then share with the rest of the company. When we dance with people of different styles and ability we develop dancing chops.

So now I am looking for a local venue so I can offer family dances regularly –once a month–through the winter and spring. For now, I’ll continue to use the recordings of New England Dancing Masters but perhaps I can arrange for live music and a small door charge.

Looking forward to seeing these high school and college students shutting down their computers and getting out of the dance floor on a Friday night!


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Calling the shots

Tonight something amazing happened and I want to tell someone.

So, we attended the wedding of Owen and Jenn, friends of my adult children, and afterwards ate well at the potluck reception. After a long delay, the old-timey band began to play, but no one danced. The DJ made a good-hearted attempt to set the expectation, but no one joined him and it was…awkward. It was sad because I realized that two generations, the ones getting married but also their parents, did not have experience with country dancing at celebrations. And this Vermont wedding was just the right venue for a country dance!

My husband and I saw this disaster happening and we grabbed our grown kids. They were itching to kick up their heels. I knew I could call a few figures and make a dance happen.

And we did! At first, three couples; then a huge circle; and the dance after that, two lines with 10 couples each. I led them through forward-and-back, do-si-do, four hand stars, head-couple-sashay and back, peel off and form an arch–moves I could remember from my contra dancing days.

I loved it. It felt like flying a Cessna solo, like taking a sailboat out on the bay, like conducting an orchestra. It was improvisation, and it was engaging in play with people who were shy but wanted to have a good time. They knew they were inexperienced and felt the emptiness of not knowing how to celebrate together as a community. We danced and were all smiles.

Owen and Jenn pulled together their community of family and friends for their special day. When we danced together we held hands, smiled, sweated, walked in synchrony, and hooted in unison.

I might even say it was a case of hootin’ and Holleran.


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Pantoum for Early Spring

We dance from black and white into living color.
The brown garden is unveiled through receding snow.
Twig tips pointillate in copper, red, and gold.
Morning sun glows lemon through dewy leaves.

The brown garden is unveiled through receding snow.
Our mountainside froths in golden trees.
Morning sun glows lemon through dewy leaves.
Dandelions shower the emerald fields.

Our mountainside froths in golden trees.
A flash of Indigo Buntings startles the eye.
Dandelions shower the emerald fields.
A violet sky warns of a looming storm.

A flash of Indigo Buntings startles the eye.
Twig tips pointillate in copper, red, and gold.
A violet sky warns of a looming storm.
We dance from black and white into living color.

Ruth E. Holleran
May 2017
Inspired by Writing Gang poetry lesson

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Maybe It Is the Beer

This past weekend we celebrated our parents’ 50th wedding anniversary. It was an event remarkable for its unusual congeniality; we four sisters have had our differences and one sister would have nothing to do with me for over a decade over something stupid. We have all grown apart, traveling in our own circles, diverging widely from one another. But this party reminded us of our roots and we realized we have more in common than we differ.

As we drank our tea and coffee around the kitchen island the next morning, we named the gift each sister had, the distinctive quality that budded while we were growing. They named me ‘highly creative’.

And I thought to myself, “I used to be.”

I remember the moment that, when I was a happily employed single teacher in the Washington, D.C. area, I realized I was happiest when I was creating something every day. Whether it was writing a silly poem for my roommates, setting a Bible passage to music, or planning a road rally for my friends, I was always up to something. And when I wasn’t, I had plenty of cultural events to attend.

But when I settled in Vermont and started raising a family, that changed, as of course it does for any young couple. For twenty-seven years I have been raising young ‘uns and homeschooling. And these have been rich, full years. In my dynamic, interesting, lovely grown children I am reaping rewards for all my investment.

They have been my grand opus.

In these latter years of raising young adults, it seems my labor has become heavily administrative. College searches and the application process, grades and transcripts, scholarships, managing the finances while three are in college, decluttering a house that used to be a home school, teaching kids to drive… I have become a capable manager with little time or energy for art.

So, to refresh my soul from its doings, to recover a joy of being, I want to dig into poetry. I have been reading poems that astonish and delight me, and I find my creative juices stirred up when in proximity to poets whose mastery of word and image have the power to name what I only vaguely sense. I want to be like that. I used to be perceptive!

I would love to take a course, to work with a group of fellow students who let me read what they are writing and will tell me honestly how my attempts come across.

Have you ever seen the lesson about the full jar? Watch this 3-minute video. Is the jar full?

I don’t know yet if poetry is one of the important things for me, or something I should squeeze in the small spaces, but I am making space for it. An interesting collection of women wants to join me, and I am so tickled!

Maybe it’s about the beer on top. (You did watch the video, didn’t you?)

The plan is to meet via GoToMeeting once or twice a month and discuss the reading of a college textbook, Writing Poems, 6th edition, by Michelle Boisseau. Since it is an older edition, it can be found for $10-16 online. I recommend


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National Poetry Month

One year for National Poetry Month I joined a bunch of friends who posted a poem every day through April. It was fun sharing some favorites and reading new ones. But now that I am off Facebook, that time-suck, I haven’t seen this river of poetry flowing by.

This year my Challenge III students are working through Roar on the Other Side, a poetry appreciation and exercise book that exuberantly introduces poetry essentials. During April I am adding a little more to our poetry experience.

This week leads up to the celebration of the Resurrection. (Is anyone else troubled that this astounding event in world history is named after a pagan goddess of dawn?) So this week my students will hear It’s Friday. But Sunday’s Coming. It is a powerful sermon-poem. It is also an example of symploce, the figure of speech where both the beginning and the end are repeated.


“No one should dare to even think about being the Commander in Chief of this country if he doesn’t believe with all his heart that our soldiers are liberators abroad and defenders of freedom at home. But don’t waste your breath telling that to the leaders of my Party today…They claimed Carter’s pacifism would lead to peace — they were wrong. They claimed Reagan’s defense buildup would lead to war — they were wrong.”  Zell Miller, 2004 Republican National Convention address

We remember today that all our gentle heroes of Vietnam have given us a lesson in something more: a lesson in living love — their love for their families lives; their love for their buddies on the battlefields and friends back home lives; their love of their country lives.”

— Ronald Reagan, Address at the Vietnam Veterans’ Memorial

By Challenge III students have become skilled at the arts of Grammar and Dialectic. Both are practiced and honed in seminar. They take their communication, both written and spoken, deeper into the art of Rhetoric. Their poetry, written essays, class discussion, and practiced speech all show growth in this skill. Former students have shared with us how impressed their college professors are with their capable communication. Classical education makes powerful communicators!

This week I will share Dylan Thomas’ villanelle, “Do Not Go Gentle into that Dark Night” and hope to inspire them to write one.

I had fun playing with this form for my Christmas letter, a collection of stories told through various poem forms. Here is the villanelle which I posted on my blog:





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9 Ideas for Challenge classes during National Poetry Month

My students in the Challenge III program of Classical Conversations study five Shakespeare plays, and work on poetry through the year. But because they are so busy, poetry gets put aside, and we sip a thin broth on poetry sharing days. Each week I read aloud a poem or I present a poem form with some models to imitate, giving them some guidance and inspiration for writing during the week.

April is National Poetry Month and I have found fantastic ideas to use with my students. I share a few ideas here:

  1. The first week in April, have the students choose a poem to memorize. Tell them to be prepared to recite the last week in April, close to Poem in Your Pocket Day (April 27 in 2017). It can be short. One of my favorites is Nothing Gold Can Stay by Robert Frost. Robert Louis Stevenson is another good source.
  2. Assemble sandwich bag collections of Magnetic Poetry magnets with a variety of parts of speech,  30-50 words. Hand one out to each student. Tell them to scatter the words around, play with them and see what happens.* Give them 10 minutes or so to create something using what they have, employing images to say more than the words themselves. Perhaps they can create a haiku. Share. Vote on one or two to post in the hallway on the magnetic board (see below). If you don’t have magnet words, type up a list of words and cut them out for your student packets. I have seen word lists on Pinterest.
  3. Have students create a Reversal Poem using this template. This is based on a Jonathan Reed poem, which was in turn inspired by a campaign commercial in Argentina. Very, very clever. Even my hard-bitten students got excited about this one. It took all of ten minutes in class.
  4. Put out in the hall a magnetic board with a lot of Magnetic Poetry word magnets. Encourage students to play during lunch break. Acknowledge truly outstanding art.
  5. You and your students post a poem on your Facebook page every day of April.
  6. Do you know how to add a “signature” to your email? Encourage your students to change it to a poem or a quotation about poetry for the month of April. Some ideas:
    • “Poetry is an echo, asking a shadow to dance.” Carl Sandburg
    • “Poetry is what in a poem makes you laugh, cry, prickle, be silent, makes your toe nails twinkle, makes you want to do this or that or nothing, makes you know that you are alone in the unknown world, that your bliss and suffering is forever shared and forever all your own.” Dylan Thomas
    • “The poets have been mysteriously silent on the subject of cheese.” G.K. Chesterton (For the joker in your class)
  7. Collect student poems (or student-choice master poems) to be printed up in a booklet to hand out at the end of the year. Include author photos and space for classmates to sign. This could be your class yearbook.
  8. For Poem in Your Pocket Day (April 27 in 2017) have your Challenge students prepare, a couple of weeks ahead, a page of poems for children, so that in total you have enough for every Foundations child on campus. Duplicates are okay. Make sure you count the babies and toddlers too. Cut these out and fold them into envelopes, one per child. Get help from the Foundations Director so that you know what names to write. On the campus day nearest Poem in a Your Pocket Day, give them out. On my campus, we will tape these on a wall for the classes to find when they come downstairs after Opening (with the knowledge of the Director and tutors!) If I have time, I will make card stock pockets, with names, for the envelopes and tape those up instead. You might include the parents too, and the other Challenge classes, so every single person gets a poem.
  9. Also on this day, all Challenge III students will carry in their pockets the poems they have memorized this month. Children (and adults!) will be encouraged to go up to a Challenge student to ask for the poem to be recited.

It is important for students to understand that writing poetry is like playing baseball or painting with oils; it is an art that takes years to mature but gives pleasure early. Take the pressure off. Let them know this is about playing with words.

My hope is that every student will see the power of succinct and compressed language to color and flavor all their persuasive communication. Happy Poetry Month!


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It’s Back!

Those of my readers who love real olive oil will be glad to hear of the fantastic deal available at local grocery stores! I found last fall’s pressing of olive oil from California Olive Ranch is available at my local grocery store (Shaw’s). Haven’t seen it at Wal-Mart yet but I keep checking; it’ll come.


Harvest date Oct-Nov 2016

Last year I wrote about discovering California Olive Ranch at Wal-Mart, valuable because of its (relatively) recent harvest date. I found it about nine months after harvest. While purists stick to olive oil harvested within three to six months of consumption,  I have found the fresh flavor and peppery aftertaste are still present, though faded, at closer to a year. Every time I go to Wal-Mart or a grocery store I check the California Olive Ranch bottles to see if the new harvest is out yet. It finally is, in March 2017.

The 2016 Rich & Robust, pictured above, has the flavor of fresh plants, a lot of pepper afterbite, and a slight bitterness. Sometimes I need a pungent olive oil, such as when I marinate chicken breast or make a salad with strong flavors.

The 2016 Everyday has less peppery afterburn than the Rich & Robust and a neutral flavor. It is a good one for oiling a pan. I have even used it in baking to replace corn oil, such as in my carrot cake recipe.

My Mild & Buttery is from the 2015 harvest but still has a tickle of pepper. It has the faded taste of real leaves. I like to cook my breakfast eggs in it. It is my favorite and I can’t wait to get a fresh bottle.

My family has switched to the Low Carb High Fat (LCHF) foodway. You probably already know this means replacing the missing carb calories with good fats, such as olive oil and coconut. I always keep some olive oil on hand for my salads; I never use canned salad dressing anymore.

My local olive oil store, InfuseMe, has top-notch olive oils all within three months of harvest but I can treat myself only a few times a year. It is also about an hour away. I am thankful to have a vein of good quality olive oil available to me when I shop monthly at my local grocery store.

Does your local store have it yet? Comment below when you are able to find the latest harvest on your store shelves.


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A free poetry course

Inspired by the Gotham Writers Workshop courses I am setting up a poetry group to explore writing poetry. This is for anyone who wants to break into more freedom with poetic language or to just become more creative at problem-solving. It is less about creating Art and more about training our souls to make connections between things. Poetry is about finding meaning in surprising places and communicating it through the succinct language of imagery and the apt word.

A group of up to a dozen will meet online every two weeks for about an hour. Between times we will read a chapter of our fabulous college textbook, Writing Poems sixth edition * by Michelle Boisseau and Robert Wallace. At the end of every chapter are some exercises for experimenting with the chapter’s concept, and each student will respond by writing. That original work will get posted to some private place we each can access and we will read and respond to our classmates’ work with helpful assessment. We will also share poetry we find by the masters.

Five activities: Read the chapter, do the exercise, write responses to our classmates’ work; share master poetry for our collection, and discuss the chapter and our poetry when we meet online. We will meet even if we haven’t read or done the homework, because there will be plenty to talk about. We will review.

There are twelve good chapters. At two weeks for a chapter, that is about six months. Summer seems to be a rotten time for online classes, so this puts us into next fall: April, May, June; September, October, November. Done before Christmas.

Personally, it wouldn’t be comfortable for me to pull off a chapter and writing assignment every week, though this is the pace of the Gotham Writers Workshop classes. If the group favors an intense run through, a chapter a week I would consider it! We would reduce the writing assignments and work on fewer poems. The Gotham Writers Workshop Poetry course syllabus is enlightening here. The blurb says students work on one or two poems.

My goal is to take their poetry course next winter, after doing a year of mental poetry-yoga to loosen up my stiff sinews. I would love to have others join me for this.

For supplies you need the Writing Poems book, a headset with microphone, and a binder in which to collect poetry you print (opt).

Google Hangouts or some other venue will allow people who have never met face to face to take this “class” together. Is it a class?  A book club? A discussion group? As a life-long learner and teacher I feel comfortable leading this group and letting the book teach us, so that we are all learners together.

I will figure out the best (free) venue for us to use for posting our creative work and another for our online conversation.

You decide if you would like to commit to this discussion group.

We’ll start in early April. Date and time to be determined. Day of the week? Probably a Monday or Thursay evening, but Saturday is possible. Please email me at rutheholleran at yahoo dot com if you are interested in becoming a part of this group.

* Because it is older this outrageously expensive textbook will cost less than $10.


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The Daily Poet

On a blog named “Letters from Heart’s Content”, surely the reader expects to read something new from time to time. Fresh out of the oven, slathered with butter, here it is.

Gotham Writers Workshop offers some dynamite writing courses online. My dream is to take a class in poetry next winter. But fearful that I won’t be able to write on a timetable, I am building writer’s muscle by daily practice, learning the craft and discovering the questions. I watched my friends Katy Noelle and Obe Lisai commit to a photograph a day and develop into productive artists with unique style. With their example, I aim to do the same.

Poetry appeals to me for its economy of words. The waste is chiseled away until the statue stands free. It allows me to play with words, to make them rattle like a train on a track or weave like dancers at a Greek wedding.

This month I ordered, from a local Indie Bookstore of course, The Daily Poet; Day-By-Day Prompts For Your Writing Practice, by Kelli Russell Agodon & Martha Silano. They prepared a prompt for every day of the year. Since I can’t truly write every morning, I choose something intriguing from the most recent couple of days. I never read ahead.

The poem below was inspired by the prompt for January 27 entitled “Journalistic Inspiration”. It tells me,

“Find an interesting newspaper article and circle all of the words that interest you. Write a poem about a topic that has nothing to do with the article….”

The article I found in The Vermont Journal was about tax incentives available for alternative energy and I ended up using only three words from it: possibility, energy, and fossil [fuels]. I finished up today. I give you:

Tilling the Tell

So much energy it takes to keep
the fossils buried in the heart’s barren acres.
They rise, clattering; I shove them down,
drown them out with sound, or try to sort
them in my fumbling inexperience, surmising
an evolution trail from these remains
to the cringing creature looking through my eyes.

O Lord, arrange a dig in the ancient land
and gently handle every broken bone;
fit them together and name them “Always Mine”,
and lay them to rest forever in a Christian burial,
that they might rise no more to haunt me.

And from the loosened soil grow fruitful vines,
green with sap and tender leaf, that swell
to fragrant blossoms, wet with dew; a dew
that catches light before it drops to drench
the ground alive with fertile possibility.

Ruth E Holleran
January 29, 2017


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Koselig: Not Just for Christmas #TBT

Well, this goes down as the winter I discovered koselig, a name both for something I already experience and for something I want to cultivate. In December I read a range of articles on koselig (and its sister hygge) to understand it. This one seems to be the one that started it all: The Norwegian Secret to Enjoying a Long Winter. Norwegian koselig is a kind of coziness, but this definition of the Danish hygge helped me understand:

hygge (n.) a complete absence of anything annoying or emotionally overwhelming; taking pleasure from the presence of gentle, soothing things. 1

Other northern European cultures cultivate their version of koselig (in Dutch gezelligheid and in German gemütlichkeit) especially through the winter. Canada doesn’t seem to have a corresponding concept but most of us in North America have experienced it at some time associated with Thanksgiving or Christmas. It is the name for that mysterious sense of community-wide bonhomie, and that desire for comfort foods, good company, and a crackling fire.  We especially feel it when “the weather outside is frightful but inside it’s so delightful.”

When I moved to Vermont from Maryland I immediately gained about two months of non-summer. Winter is on my mind from late August to the beginning of May. From first withering frost to the golden lace of the hillsides bursting into leaf, winter is arriving or lingering for eight months. Yikes! To paraphrase that song of barely hidden panic, “We need a little koselig, right this very minute…”

When I read this article, In Defense of Domesticity, I realized I already had some of these practices. We eat together and tell stories. We listen to good music. We keep the woodstoves going, and last winter I specifically sought a woodstove with glass doors so we could see the fire. I orient the couch to face it, creating a comfortable place to read and to watch the wildlife at the birdfeeders. I always light an oil lamp when we gather for a meal and I light candles when I first rise in the dark. Candle light is so much easier on the soul first thing on a dark morning, is it not?

This winter I am experimenting with this new (to me) idea in five ways:

  • lighting candles more than just for dinner
  • inviting people over for a casual dinner frequently
  • getting the family to play games (not so easy when we are all so entrenched in front of our screens)
  • getting the family together to continue learning how to sight-read [On a tangent, I learned this Christmas that I have five basses, and two sopranos. Three, if you count me but don’t, because I’d rather supply the alto line. One bass, thanks to his ongoing education at St. Johns College, can sing the tenor part if it doesn’t swing in the rafters too long. But still. Five.]
  • making sure I alternate long hard work with moments of comfort and withdrawal; this is a lot like the rhythm of six days of labor and a sabbath rest

That last point reminds me of what I want to say about the dark side of koselig. We can’t always be comfortable and we shouldn’t want to be. Loving people in our home and beyond takes pains. We should be comfortable going outside our comfort zone. We should work and work hard with all our gifts and skills. We should have the mindset of servants, even if we are called to serve by leading. Sitting by the fire all day isn’t koselig; it’s just lazy.

Also, if koselig is the absence of unpleasantness, there is a temptation not to deal with the truth. Lovingkindness and truth are always matched in the wisest literature. “Speak the truth [but do it] in love,” says Paul in Ephesians. Come on, do we really want Nice? All the time? Not a fan. I like messy people, and I’m grounded enough to handle messy situations. To the extent doing koselig means permanently suppressing the expression of pain, it is unhealthy. I am, however, perfectly fine with a ban on politics at a koselig event. Just…balance, is all I am saying. It can’t be Christmas every day.

And to close, let me share some of the best youtube explanations of hygge, Denmark’s version.


  1. This definition of hygge was found at:
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